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God’s Ghostwriters

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God’s Ghostwriters

By: Candida Moss
Narrated by: Elliot Chapman
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‘Monumental and eye-opening’ Reza Aslan

From an award-winning biblical scholar, the untold story of how enslaved people created, gave meaning to, and spread the word of the New Testament, shaping the very foundations of Christianity in ways both subtle and profound.

For the past two thousand years, Christian tradition, scholarship, and pop culture has credited the authorship of the New Testament to a select group of men: Matthew, Mark, Luke, John and Paul. But the truth is that these individuals did not write alone. In some meaningful ways they did not write at all.

Hidden behind these named and sainted individuals are a cluster of enslaved coauthors and collaborators, almost all of whom go uncredited. They were responsible for producing the earliest manuscripts of the New Testament. They took dictation, sometimes editorialising in the process, and polished and refined the final manuscripts. When the Christian message began to move independently from the first apostles it was enslaved missionaries who undertook the dangerous journeys across the Mediterranean and along dusty Roman roads to move Christianity from Jerusalem and the Levant to Rome, Spain, North Africa and Egypt. Finally, when these texts were read aloud to new audiences of curious potential converts, it was educated and trained enslaved workers who performed them – deciding whether a statement was sincere or sarcastic; a throwaway remark or something central to be emphasised. Their influence in the spread of Christianity and making of the Bible was enormous, yet their role has been almost entirely overlooked until now.

Filled with profound revelations for reading and understanding the gospels themselves, God’s Ghostwriters is a groundbreaking and rigorously researched book about how enslaved people shaped the Bible, and with it all of Christianity. It’s also an intimate portrait of lives not often considered by history, and a reckoning with the motives and methods of the early Christians as they spread their message across the ancient world.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2024 Candida Moss (P)2024 HarperCollins Publishers
Bible Study Bibles & Bible Study Christianity History Africa Middle East
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Critic reviews

‘A fascinating and beautifully written book. Candida Moss makes the invisible hands that wrote the Bible visible. She writes with a depth of scholarship and a lightness of touch that make this book both powerful and compelling’ Catherine Nixey, author of The Darkening Age

‘A lucid, convincing, and deceptively transgressive book, God’s Ghostwriters gives the unfree a rightful place in history’ Rev. Jarel Robinson-Brown, author of Black, Gay, British, Christian, Queer

‘Brimming with learning and buzzing with contemporary urgency… At once provocative and humane, it tells a very different version of the story of early Christianity to the one most of us grew up with’ Tim Whitmarsh, author of Battling the Gods and Regius Professor of Greek at the University of Cambridge

‘Thought-provoking, intensely interesting, and immensely readable’ Eric Cline, Bestselling author of 1177 BC: The Year Civilization Collapsed

God's Ghostwriters is a work of historical, theological, and literary scholarship that will hold your attention like a well-crafted novel’ Brian D. McLaren, author of Do I Stay Christian?

All stars
Most relevant
This is essential reading for anyone who cares about how the new testament came into being.

fascinating & in places horrifying

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The Pitfalls of Linguistic Revisionism in Audio Narration The contemporary impulse to reshape the English language to address specific social grievances or promote a 'better' world, while intellectually defensible within post-modern philosophy or radical art, presents significant practical challenges, particularly in audio recordings. The auditory experience, unlike textual engagement, demands immediate and unambiguous comprehension. The substitution of historically established terms like "slave" and "master" with neologisms such as "enslaver" and "enslaved person," though well-intentioned, can lead to listener confusion and cognitive friction. In an audio format, the rapid processing of information makes it difficult to differentiate between phonetically similar terms like "enslaver" and "enslaved," often requiring the listener to pause and rewind. This interruption disrupts the narrative flow and detracts from the immersive quality of the recording, creating an unnecessary burden on the audience. The universal prevalence of "slave" and "master" in literary tradition underscores their clarity and immediate recognition. Introducing alternative terminology, while perhaps intended to challenge existing power structures or reframes historical narratives, inadvertently creates an obstacle to understanding rather than facilitating it. The primary goal of any communicative medium, especially audio narration, should be clarity and accessibility. When academic linguistic innovations impede rather than enhance comprehension, their practical utility, particularly outside of specialized academic discourse, becomes questionable.

God it's unlistenable! Impossible to remember what's going on

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