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The Last Buccaneer

Alan Ross – Poetry, Cricket and the London Magazine

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The Last Buccaneer

By: David Crane
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Poet, writer, veteran and cricket devotee, Alan Ross’s brilliant editorship of the London Magazine kept alive a literary tradition.

Alan Ross played a role in Britain’s cultural life that no one else did or could, linking not just the worlds of writing, painting and sport but the literary London of Cyril Connolly, John Lehmann, Horizon and New Writings with that of all those contemporary novelists, dramatists, travel writers and poets who appeared or cut their teeth in the pages of the London Magazine which he owned and edited for forty years. If you had to find the one thing that characterised Ross’s life it was that it brought together worlds usually kept well apart.

The richest biographies are those of lives which throw light on a whole period and that of Alan Ross is the perfect case in point.

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Critic reviews

‘Magnificent … by far the most enjoyable account of the battle I have ever encountered. Crane has had the brilliant idea of interweaving a fast, colourful narrative of the battle with the story of what was happening in Britain … it is a social and cultural panorama, taking in everything from murderers and vicars to portrait-painters and prize-fighters … [Featuring] countless beautifully observed moments … Crane has a superb eye for fascinating little nuggets’ Dominic Sandbrook, Daily Mail
‘It will be hard to match the sheer verve and brilliance of David Crane’s evocation. Frame by frame, like a great stop-motion film, we see … heroes, villains, the innocent, the fortunate and damned, and the merely damned lucky. Crane weaves hour by hour diverging and coalescing human dramas of the day with deft originality. Here literary art trumps television drama at its best. It paints a brilliant continuous action drama of Britain then, and in doing so suggests an awful lot about Britain, its tastes and foibles, today … a book to die for’ Robert Fox, Evening Standard
‘A fascinating snapshot … It’s beautifully written, absorbingly researched and paints a vivid canvas where the mundane details are as fascinating as the momentous battle’ Sunday Express
‘Strikingly urgent and vivid’ Mail on Sunday
‘Of all the big battalions of books marking the bicentenary of the battle of Waterloo, this has to be the best. Crane has used the bloody campaign as a telescope, bringing into sharp focus not just the carnage … but the state of Britain itself … The result is a rich feast: dramatic, poignant, funny, gruesome and tragic by turns. Crane selects a small cast to people his narrative, and involves us in their destinies without ever losing sight of the bigger picture’ Nigel Jones, Spectator
‘Terrific… an engaging book’ Independent
‘Sheer quality… In giving us a multifaceted portrait of the Regency age, he makes us think again about the battle and its impact on the British’ Literary Review
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