In this episode, I explore the concepts of ‘entrepreneurship’ and ‘intrapreneurship’ in the arts. The two are often framed as opposites, but actually I find they they sit on a spectrum, so I also draw on my recent conversation with Ben Luke (the previous episode to this one) as a jumping-off point while bringing in some other non-art examples.

Using my own experience producing All About Art independently, I weigh the pros and cons of intrapreneurship versus going it alone. This covers the financial support and institutional credibility you gain on one side, and the editorial constraints and metric pressures you take on on the other.

The question I leave you with in this episode is: where do you currently have the most room to create something meaningful?

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If you love what we do, support ALL ABOUT ART on PATREON! ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast ⁠https://www.instagram.com/allaboutartpodcast/⁠

ABOUT THE HOST:

I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS:

Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein

In this episode, I sat down one of my dream guests… fellow podcaster Ben Luke, contributing editor of The Art Newspaper and presenter of its podcasts ‘A brush with...’ and ‘The Week in Art’.

I speak to Ben about his background and the path that brought him to one of the art world’s most prominent publications. We talk about the podcasts he hosts at TAN (The Art Newspaper), how they came about, and what it actually looks like to build something from within an existing institution rather than going independent.

I ask him about any potential trade-offs of an intrapreneurial approach: the perks, the constraints, and what anyone thinking of pitching a project to their employer might want to consider. We also speak in depth about his book, What is Art For?. I ask him how it came together, why he chose to weave contemporary artist interviews with historical reflections, and how he approaches the art of the interviewing as a method in itself.

Thank you Ben for coming on the podcast!

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If you love what we do, support ALL ABOUT ART on PATREON! ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast ⁠https://www.instagram.com/allaboutartpodcast/⁠

ABOUT THE HOST:

I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS:

Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein

What exactly is a biennale, and why do they matter in the art world? In this solo episode, I’m breaking down one of the art world’s most iconic and contested formats, from its origins at the very first Venice Biennale in 1895 to the sprawling, politically charged mega-exhibitions we know today.

In the episode, we move through the history of how biennales evolved from nationalist showcases into curator-led events grappling with postcolonial discourse, identity politics, and climate change. I then touch on some of the most influential editions across Venice, São Paulo, Kassel, and beyond. We get into the controversies, including the the Dana Schutz and Open Casket debate at the 2017 Whitney Biennial, the board resignation that followed artist protests in 2019, and the antisemitism scandal that overshadowed Documenta 15 in 2022.

Sources:

• Paintings from the Venice Biennale – Listory

• In 1895, the 1st Venice Biennale faces its first censorship scandal – Arte Brasileiros

• The Dana Schutz Emmett Till painting controversy at the Whitney Biennial – The Guardian

• Warren Kanders resigns from Whitney Museum board – The New York Times

• Statement by Taring Padi on dismantling People's Justice – Documenta Fifteen

  Who Killed the Independent Curator? – Frieze

  
  

  - - - - -

  If you love what we do, support ALL ABOUT ART on PATREON! ⁠https://www.patreon.com/allaboutart⁠

  
  

  Keep up to date on Instagram @allaboutartpodcast ⁠https://www.instagram.com/allaboutartpodcast/⁠

  
  

  ABOUT THE HOST:

  I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

  
  

  SOCIALS:

  Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker

  
  

  and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

  
  

  This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/

  
  

  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

  
  

  Research and Creative Assistant: Iris Epstein