The Julia Keefe Indigenous Big Band (JKIBB) – led by celebrated vocalist and band leader Julia Keefe of the Nez Perce tribe, is one of the only jazz big bands in the world comprised exclusively of Native and Indigenous people. Julia brings together a 16-piece ensemble to celebrate a largely unrecognized lineage of Indigenous artists in jazz, while presenting new compositions rooted in tribal histories and storytelling. This project is their premiere album titled “Incarnadine.”

The album features music made famous by Indigenous jazz musicians from the Twentieth Century such as jazz singer Mildred Bailey, whose mother was a Coeur d'Alene tribal member, and Jim Pepper a saxophonist, singer and composer of Kaw and Muscogee Heritage. Also playing significantly in the development of Incarnadine is the collaboration between Julia and trumpeter Delbert Anderson of the Dine tribe who is a featured artist on this album.

In my in-depth conversation with Julia Keefe, we learn not only about the music, but about the centuries of struggle, deep beliefs, and unwavering respect of the earth that brought Julia to gift us with this truly remarkable work.

My guest for this episode is pianist, accordionist and composer Ben Rosenblum whose latest project is a musical kaleidoscopic blend of Dominican merengue, West African and Caribbean rhythms, Irish folk music, neo-soul, J-pop and hard bop and other traditions. The beautiful musical form Ben and his group of top rate, globally influenced ensemble of musicians called the Nebula Project, has created is called “The Longest Way Round”, out now on One Trick Dog Records.

Another significant influence of note for this album is the extensive globetrotting for Rosenblum, who spends about half of his time on the road touring both with his own ensembles, and with Rickie Lee Jones, Catherine Russell and Indian singer Kiran Ahluwalia.

Here is my conversation with Ben Rosenblum about his wild and exhilarating ride across musical boundaries to create “The Longest Way Round.”

Jazz Forum Arts in Westchester County, New York is a premier, highly successful nonprofit jazz organization with a rich history. Now, after 40 years of artistic excellence, a new era will be ushered in when Founder and Executive Director Mark Morganelli and Chief Operating Officer Ellen Prior retire on July 1st of this year. This dynamic duo leaves behind an amazing legacy that includes hosting 300-plus music performances annually at its Jazz Forum Club in Tarrytown, New York, multiple free outdoor concert series, and award-winning jazz educational programs.

Mark Morganelli, a jazz trumpeter and producer, has been a major presence in the New York City and regional jazz scene since 1979, when he opened his first Jazz Forum loft club in Greenwich Village. Ellen Prior, Mark’s wife, has been a presence at JFA events since its earliest days, and formally joined the leadership team in 2015.

With their retirement in the offing, the mantle of leadership is being passed on to Darrian Douglas and Clara Winder.

Douglas, an accomplished jazz drummer for the past 20 years, is an educator, and arts leader, who has served as Director of Programs for Jazz Forum Arts since July 2025. Previously, he served as Executive Director and Co-Founder of Second Line Arts Collective in New Orleans. Winder, currently Marketing Director and a core member of the JFA team for nearly a decade, will become Chief Operating Officer in July 2026, overseeing the Jazz Forum club operations, marketing, audience development, and internal systems that support the organization’s continued growth.

My conversation with the affable Mark Morganelli and the engaging Ellen Prior unfolds the fascinating story behind the Jazz Forum Arts.