“The goal is to make people feel something.”

On this episode of SoCal Soundcheck, Brian sits down with longtime Southern California musician Woody Garcia, frontman of Woody and the Harrelsons, for a conversation about the long road from childhood guitar lessons to becoming one of the most recognizable live performers in the local music scene.

Woody traces his story back to growing up in San Dimas, learning guitar around age 11 or 12, and being shaped by the music of Nirvana, Pearl Jam, Smashing Pumpkins, Stone Temple Pilots, and the alternative explosion of the ’90s. He talks about early bands, reconnecting with childhood friend Eugene at a Save Ferris show, recording original music, playing punk shows with Cry Havoc, and eventually finding his way into the project that would become Woody and the Harrelsons.

What started as a leap into playing covers became something deeper. Woody shares how performing songs people already love taught him to see music as an emotional bridge -something tied to memory, people, and moments in our lives. For him, doing those songs justice is part of the responsibility.

The conversation also gets deep into the craft of live performance: reading the room, choosing songs in the moment, building a set without a setlist, and learning how to serve both the crowd and the venue. Woody explains why the band evolved from mostly ’90s rock into a broader mix of ’80s alternative, classic rock, hip-hop, R&B, soul, and funk - and why the goal is never to give people the exact same show twice.

Of course, there is plenty of guitar talk. Woody breaks down his Friedman Small Box amp, his his journey through guitars, amps and various pedals, the role of his hot pink gear aesthetic, string gauge, picks, and why an unforgiving amp can make you a better player. He also talks about the influence of David Gilmour, Prince, Radiohead, and how the musicians in his band are his biggest inspiration.

But the heart of this episode is bigger than gear. Woody opens up about taking better care of himself, learning how to sustain the physical demands of singing and performing for hours at a time, and trying to be his best self so the band can be its best self. Toward the end of the conversation, he reflects on seeing how music brings people together, helping people tune out the noise of the world for a moment, and remind us that we are more alike than we are different.

This is a conversation about guitars, gear, cover songs, and the grind - but even more than that, it’s about connection, presence, gratitude, and the kind of musician who wants every show to mean something.

Listen to this episode if you’re into: Southern California live music, guitar tone, cover bands, ’90s rock, Pink Floyd, Prince, Radiohead, local music stories, and honest conversations with working musicians.

Woody & The Harrelson's Website: https://www.woodyandtheharrelsons.com/

Woody on Instagram: https://www.instagram.com/woodyandtheharrelsons/

Tristan Bowls picked up the guitar at 11 because Guitar Hero 2 and 3 made him want to play a real one. AC/DC, Guns N' Roses, Iron Maiden, Slash. That was the foundation.

Now he's 29, runs Eastlake Studios on a private property in Lake Elsinore, plays guitar in Eastlake Rhythm Section, and tests amps at Suhr during the day.

In this episode, Tristan and Brian get into:

- Learning guitar by jamming with neighbors and best friends down the street

- The hard rock and heavy metal foundation that started everything (AC/DC, Iron Maiden, Guns N' Roses, King Diamond)

- Branching into jazz fusion, R&B, and funk in college and beyond

- How Eastlake Studios came to be: getting invited to jam there in 2021 after COVID, finding the studio empty, and revamping it into his own space

- Why he prefers being behind the console listening, rather than recording himself

- Recording Hypno Sapo live at Eastlake and what made the band's theory knowledge stand out

- His mic setup for guitar cabinets: Sennheiser 421 paired with an SM57

- Why a Warm Audio U47 clone became his go-to vocal mic

- Working volume and tone knobs on the guitar instead of just relying on pedals

- His current rig: a Suhr Bella head, a Fender Princeton, and an Engl head he's borrowing for a punk project

- His pedalboard: Polytune, Vertex boost, Cornerstone Gladio overdrive, Boss delay, Strymon Flint

- Why he sold his SG Standard to pay for his Suhr Tele-style guitar

- The Eastlake Rhythm Section origin story: 14 years of friendship and multiple bands before landing in one project in 2021

- Why playing covers your own way matters more than copy-pasting the original

- His original projects: producing Red Hook in 2017, recording Quicksands, and a new punk/hardcore EP coming up

- The community of musicians at Suhr, including Apollo from Hypno Sapo

Memorable moments from the episode:

When Brian asked if Tristan ever pushes back on a band's tone in the studio: "If I'm really hearing something, I don't have a problem with being like, hey, can you turn down your treble on your amp? Because I'd rather do it that way than have to go and do it after I've recorded it."

On why comfort in the studio matters: "If you're nervous when you're recording, it's never going to come out like how you want it to. You could listen back to it. It could be good, but there's going to be little things where you're like, oh, that could have been better."

On guitar tone, sharing something a mentor told him early on: "You can control a lot of the tone just through your volume, your tone knob."

On how Eastlake Rhythm Section approaches covers: "We're going to play what we want to play. And we're going to play it good enough or just tight to where people are like, yeah, that's good."

Where to find Tristan and Eastlake Studios:

Eastlake Studios: recording, mixing, rehearsal space, music and video production. See Eastlake's and Tristan's credited work: https://linktr.ee/eastlakestudios

- Next Eastlake Rhythm Section gig: Saturday, May 16 at Bel Vino Winery (residency runs through June 21)

- East Lake Studio Instagram: https://www.instagram.com/eastlake_studios_/

- East Lake Rhythm Section Instagram: https://www.instagram.com/eastlake_rhythmsection/

- Personal Instagram: https://www.instagram.com/tristan_bowls/

Lex Borja's musical roots run four generations deep. His great-grandfather was a trumpet player. His grandmother was a singer who directed a 12-piece mariachi, and once stopped them mid-song to correct the key (an 8-year-old Lex was watching front row). His mother is also a singer with a strong voice.

Lex started playing guitar at 8, started singing at 14, and has been playing venues since he was 18. He's 41 now and leads a band called Lextacy.

In this episode, Lex and Brian get into:

- Growing up in Tijuana with three-day family parties where everyone sang or played an instrument

- Being immersed in 90s pop and R&B (Boyz II Men, Mariah Carey, Luis Miguel) alongside mariachi

- Auditioning for La Academia in Mexico (2010), American Idol (2011, made it to Hollywood Week and the top 50), and The Voice Mexico (4 episodes on national TV, coached by Wisin y Yandel)

- The chair-turn moment on The Voice Mexico, when his hands cramped from the electricity and he had to stop playing guitar mid-song

- Auditioning for nine years before getting on The Voice

- Why he chose to sing in Spanish on The Voice (English is his second language, and he felt he could be more sincere transmitting emotion in Spanish)

- The story of being booked to perform on opening night of New York Fashion Week (Runway 7), and how it started with a song he wrote called "Never Thought" four months earlier

- Auditioning for The Voice in LA in 2022 and getting blocked due to being on probation

- How Lextacy can grow up to a 9-piece band when the venue can afford the full lineup

- The songwriting practice of mumbling first, logic second (a technique he learned from the Beatles)

- His three tests for new mixes: phone test, shitty wireless speaker, and car test

- How writing songs became his way to say what he couldn't say out loud, traced back to his single mom leaving letters on his pillow

- Why you can't blindly trust the setlist, and how to read the room

- His new single "Dañado" (releasing May 29) and what damaged means to him

Memorable moments from the episode:

When Lex talks about transforming pre-show panic into something useful, he says: "If you don't control your nerves, your nerves will eat you up and just leave you stranded to dry."

Reflecting on what kept him going through 9 years of auditions and a probation block that cost him a spot on The Voice in LA, Lex shares the philosophy that drives him: "I don't want the what-if on my life."

Toward the end of the conversation, Lex makes a direct appeal to anyone holding back a song they're scared to release: "Don't be stingy. Share that shit. Because I guarantee you that whatever you're going through, there's someone else out there going through a similar situation that that song could potentially shine some light, perspective, or lift someone up."

And on his core identity as an artist, when asked about playing alongside skilled guitarists: "I'm a singer. I'll go toe to toe with any singer. Put me. Let's go, baby. And I don't care if I get crushed, but I'll hold my ground."

Where to find Lex:

- New single "Dañado" releasing Friday, May 29 on Spotify, Apple Music, Amazon Music, Deezer, and other major platforms

- Live release performance: Saturday, May 30 at Miramonte Winery, performing the song live for the first time with the band

- Lex has approximately 17 songs on Spotify, with multiple songs around the 50K stream mark (many listeners are coming from outside the US, including Spain, France, Brazil, and Mexico)

Lextacy band members shouted out in this episode: Josh Lomeli (guitar), Cody Burson (bass), Miguel Diaz (drums), Nicolai Flores (trombone), Music Man Mark (trumpet), Cameron Evans, Kole Weber (saxophone), and Dave DeNuccio (percussion).