Time to round off Revolver with the mighty Tomorrow Never Knows, as JG and Andrew take a dive into psychedelia. Or do they?

Does the song deserve its towering reputation and Capital-I Importance? Do we think Lennon really understood what it was he was writing about? And just how critical is George Martin this time out?

Rankings: Track-by-track Ranking

eMail: beatlesstuffology@gmail.com

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: Some technology, JG McQuarrie, but definitely no AI

Revolver is nearly done but before we get to the totemic final track, there's Got To Get You Into My Life to tackle.

Does the song work as a Motown/Stax homage? Does it matter that it's actually about drugs? And how are the guitars sounding at this point in the album?

Rankings: Track-by-track Ranking

eMail: beatlesstuffology@gmail.com

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: Super Human Being, JG McQuarrie (and not AI)

It's time for George's third go-around on Revolver as I Want To Tell You takes its spot in the limelight. Can George justify an unprecedented three songs on an album? Does the song succeed in capturing the uncapturable flow of ideas he wanted to express? And just what could put Andrew off JG? (You know, apart from everything)

Rankings: Track-by-track Ranking

eMail: beatlesstuffology@gmail.com

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: JG McQuarrie, and not AI