Showing titles in Library & Museum Studies

Esta guía propone al lector una visita al Museo del Prado con el objetivo de que pueda disfrutar de ella y aprovecharla al máximo. Le invita a detenerse en aquellas obras absolutamente imprescindibles y, sobre todo, le muestra cómo "mirarlas" para percibir aún más su belleza, le ayudará a reparar en la excelencia del artista volcada en su obra y a observar los distintos aspectos y detalles que hacen que esos cuadros sean únicos.

At the heart of Oxford University life, the Bodleian Library is one of the oldest working libraries in Europe with some of its reading rooms - the medieval Duke Humfrey’s Library and the circular Radcliffe Camera - immortalised in films, including The Golden Compass the Harry Potter franchise. With access to priceless archives including Jane Austen’s unfinished novel The Watsons, this documentary reveals how the Elizabethan diplomat Sir Thomas Bodley created this extraordinary library and how it flourishes as a modern institution.

This audiobook is meant to help people not acquainted with listening to audiobooks. One day, I got really fed up with having little time to read during the day and with making little progress on my ever growing reading list. But, what if books could read themselves to us? I started to use audiobooks more and more, and I can say it deeply changed my life. I also describe a few special audiobooks that helped me along the way.

A provocative, progressive rejoinder to the status quo, from the perspective of a disrupter and global leader in the museum world. The challenge to transform museums is unapologetically real and complicated. But everything we learn about reconciliation, science and biodiversity, climate change, and sustainability gives us the confidence and freedom to break through the conventions of the past. Each essay in this collection emphasises key features that are driving change in museums, such as globalization, society, authenticity, and technology.

Here can be no doubt that the Chinese exhibition at the Royal Academy in London is more than a merely artistic event. It represents a new stage in the burgeoning relationship between contemporary China and the West. The opening, originally scheduled for January, was brought forward to coincide with a State Visit to Britain by the Chinese president, Hu Jintao. The "Three Emperors" of the title were the second, third, and fourth rulers of the Qing Dynasty, and their period in power spanned nearly a century-and-a-half, from the mid-17th century until the end of the 18th.

Forgotten Empire, the new exhibition in London devoted to the great realm that Alexander the Great destroyed, is an openly political occasion, designed to stress links in the present as well as to revive interest in a part of the past that has more or less sunk into oblivion. It stresses the fact that, despite the tensions that now exist between the Islamic Republic of Iran and Western Europe, a degree of cultural cooperation is still possible.

A recorded visit to Elizabethan Treasures during the press view at the National Portrait Gallery London. Inspect miniature portraits by Nicholas Hilliard and Isaac Oliver of Sir Walter Raleigh, Sir Francis Frake, Henry Wriothesley and others, and the celebrated icon of Queen Elizabeth I.

In this inspiring and pragmatic new audiobook, Aldrich shows that the first step toward a sustainable library is sustainable thinking: a determined yet realistic attitude that will help your library spot opportunities for institutional advancement, advocate for and safeguard operating funds, and generate intense loyalty from the communities you serve.

Libraries are a great resource for authors. In this easy-to-follow guide, authors will learn how to connect with the right library staff member to discuss adding your book to the collection, teach a workshop for aspiring writers, learn how to host a book signing with an ebook, get paid to teach writing workshops and seminars, and position yourself as an expert and get speaking gigs!

"Citizens and Kings", the new blockbuster show at the Royal Academy in London, contains an almost overwhelming number of celebrated paintings and sculptures, even if one or two of them, such as Jacques-Louis David’s Marat Assassiné, turn out to be studio versions rather than the real thing. The show aims to trace the shift in attitudes towards the human personality that was set in motion by the American and French Revolutions and the wars associated with these great political and social upheavals.

The term avant-garde continues to be used, in my opinion with far too much frequency, in discussions of contemporary art. It derives, of course, from military terminology, and implies that the art to which it is applied is somehow ahead of the game. It’s worth taking a look at how this assumption works in practice. Essentially, Western and now world art has witnessed the emergence of a series of avant-gardes since just before the third quarter of the 19th century.

How do cryptocurrencies work? Should you invest in them? In this audiobook, Devan Hansel, a tech-investor who has made six figures in profit from trading cryptocurrencies like Bitcoin, Ethereum, Dash, etc., reveals all the fundamentals you need to understand the current market landscape and how it is being revolutionized by cryptocurrency. If you're curious enough to explore the possible options, this audiobook will teach you everything you need to know.

Byzantine art has a slightly odd reputation. It is regarded, on the one hand, as something remote, hieratic, and difficult. On the other hand, the word Byzantium has a very romantic ring - it lives in our minds as the name of a citadel of civilization, a place that preserved for posterity both intellectual and material treasures that would otherwise have vanished forever. The remarkable exhibition now at the Royal Academy in London touches on both of these aspects.

A good art collection is always much more than the sum of its parts. This applies with especial force to collections of contemporary work. A collection of this kind, whether the collector intends it to be so or not, is always a portrait - a reflection in the mirror of a particular epoch, and, willy-nilly, a self-portrait of the person who takes the trouble to bring it together.

Cv/VAR 66 interviews Dr. Michael Ryan of the National Museum Dublin recorded at the opening of the exhibition The Work of Angels at the British Museum in 1989. He describes pieces found at Derrynaflan dating from the eighth century including an ecclesiastical paten, jewelry, accessories, and domestic artifacts. It carries a detailed account of Celtic and Pictish craftsmanship and iconography.

An interview recorded with Dr. Christopher Brown, director of the Ashmolean Museum in Oxford, in which he describes the major renovation and expansion of Britain's oldest museum, adding 39 galleries to house its collection of Egyptian, Persian, Japanese, Saxon, and Indian artefacts.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.

Per prima cosa sfatiamo un mito. Non è assolutamente vero che l'Italia è il paese detentore del 50% dei beni culturali mondiali. Non abbiamo nemmeno idea di quanti siano in totale, per cui questa leggenda che spesso viene diffusa sui giornali e in tv è quanto meno approssimativa. È vero invece che il nostro paese ha molti beni culturali diffusi sul suo territorio e in certi casi si tratta di veri e propri tesori poco conosciuti.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.