Showing results by narrator "Jack Wynters" in All Categories

In the Metamorphoses Ovid retells stories from the Greek myths, arranging them in roughly chronological order, from the origins of the world to his own times. His charming and graceful versions, full of life and interest, express his humanist approach, his feeling for pathos, and his endless curiosity and delight in human affairs. Each tale involves a transformation of some kind, and the whole collection provided a potent source of motifs and images for later art, especially the paintings, sculpture, and verse of the Renaissance.

Existentialism is the literary cri de coeur resulting from the realization that without God, everything good, true, and beautiful in human life is destined to be destroyed in a pitiless material cosmos. Theodore Dalrymple and Kenneth Francis examine the main existentialist works, from Ecclesiastes to the Theatre of the Absurd, each man coming from a different perspective. Francis is a believer, Dalrymple is not, but both empathize with the struggle to find meaning in a seemingly meaningless universe. This book is part literary criticism, part philosophical exploration....

Who Am I? is one of Norman Grubb's textbooks for what he came to call Total Truth, a full satisfaction, a rational meaning to all life, a foolproof workable key to daily living, a road map that I could unfold to a fellow traveler and say, "This is the way". Standing on the Scriptures as his final authority, Mr. Grubb explores in a clear and practical way who we are, why we are, how we can be ourselves, and what our destiny is, which is "Christ in you, the hope of glory".

The world is dead. The army of walking corpses have conquered all before them and only small pockets of humanity remain. As the cities slowly crumble, the survivors are facing their first winter in the new order while an immense horde of festering un-dead surrounds their walls, threatening their continued safety.

The Tao Te Ching (or Daodejing, in pinyin) is a classic Chinese Taoist text dating from at least the fourth century BC. According to tradition it has its origins even earlier, around the sixth century BC. The title may be translated as Instruction Regarding the Way of Virtue. Consisting of 81 short sections in a poetic style, the text ranges widely in content, from practical advice to universal wisdom, embracing politics, society and the personal.

Composed around 1294 in Italian, the Vita Nuova tells the story of Dante's encounters with and love for Beatrice, culminating in her early death and its effect upon him. Utilizing and developing the conventions of courtly love, in a mixture of prose and verse, Dante deepens the emotional content of the genre, while pointing the way towards the intellectual and spiritual journey of the Divine Comedy.

The Dead have conquered the Earth, devouring and destroying everything in their path as mankind is brought to the edge of extinction. After battling their way out of Baghdad, across the Middle East and into Europe, Marcus and what is left of his team are close to reaching their final objective. Now, they must continue their struggle against the hordes of rotting corpses that stand in their way as they travel the wasteland that had once been their home.

London 1925: Ex-boxer Harry Stubbs goes undercover, working in a mental institution to investigate an epidemic of madness. Bizarre deaths occur at the asylum, seemingly linked to an occult power. As he starts to unravel the mystery, Harry’s grip on his own sanity becomes increasingly precarious. Who is behind the killings? What are the strange new treatments doing to the patients? Why can Harry not get any reply from his handlers? To get answers, Harry must to venture into the borderland between magic and science, sanity and madness, and face the Master of Chaos....

Norman Grubb makes the bold statement that the human has no nature of its own, but rather is operated by one of two deity spirits--Christ or Satan. In this short booklet, the author delves into the origin of the lie that we can run our own lives by ourselves, proving by scripture after scripture that this is indeed a satanic deceit which is at the root of all sin.

On 28th June 1914, Archduke Franz Ferdinand and his morganatic wife, Sophie Chotek, were shot dead in broad daylight on a crowded street in Sarajevo. The murder of a relatively unknown archduke in a remote Bosnian city might well have been quickly forgotten were it not for the fact that this seemingly minor event ignited a spark that would explode into one of the bloodiest conflicts in history. Within four years, over sixteen million people from one hundred countries would lie dead on the battlefields.

Yes, I Am is Norman Grubb's last and most comprehensive work on the union of Christ and the believer -"Christ in you, the hope of glory." Here he explores the great foundational truths of what he called "Total Truth" - the nature of God Himself, the true nature of man, the fall of man, and our two-fold redemption through the blood and body of Christ. Finally, he shares clarifications on the pivotal Romans 6-8, chapters he has dug into "a thousand times". demonstrating how to live "as the free men in Christ we've been redeemed to be."

Norman Grubb's life demonstrated that he knew "how to walk the broad road of faith, how to save and maintain that touch with God, that living fruitful union with Him which in infinite grace and condescension He has given us as our inheritance in Christ." In The Law of Faith, Norman felt that he was "passing on to others the most precious secrets that God has taught [him]."

On an ordinary Friday afternoon, a gunman gains entry to Whites Chambers in Manchester. His job is to find a particular barrister. But which one? The barristers work hard defending and prosecuting the unfortunate beings who find themselves at the mercy of the English criminal legal system. But when professional lines between them and Manchester’s organised criminal gang are crossed, it can only lead to trouble.

1916. Britain is deep in the grip of the Great War, spilling the best of its blood in Flanders' fields. Morale at home is low. But one thing is certain: war minister Lord Kitchener will see things through. So when Kitchener is assassinated by the IRA, how will the public react? How will British troops at the Front take it? It's up to MI5 to handle the situation, and quickly. Lieutenant Chris Hubert's suggestion of lookalike Colonel Henry Farmer staves off the announcement of Kitchener's death.

The word avant-garde, so much used in connection with the various manifestations of contemporary art, is starting to have a strange, ironic ring to it. One might even claim that it is starting to signify what is behind the times, rather than in front of them. Like all such terms, it is in fact a metaphor, rather than a direct description. Borrowed from old-fashioned military terminology, it seeks to describe a situation where social norms are being perpetually challenged by artists. In the military sphere, where it originated, it is long out of use.

In God Unlimited, Norman Grubb delves into ultimate reality—"the extreme, the absolute, the revelation...that there is only one person in the universe, and that is God himself". From this startling conclusion Norman proceeds to the true nature of man and his sole function, God's twofold redemption to rescue and restore his fallen creation, spontaneous living in the fourth dimension, and the privilege of membership in priesthood of the redeemed through whom God continues his intercessory work on behalf of his creation.

Norman Grubb, the son of an Irish clergyman, was born in England in 1895. He served as a lieutenant of the Bloucester Regiment, receiving the Military Cross for his service during World War I. Following the war, he attended Trinity College, Cambridge, and married Pauline Studd, the youngest daughter of the famous missionary C. T. Studd. The Grubbs served as missionaries in the Belgian Congo where Norman translated the New Testament into Bangala. After Studd's death in 1931, Norman served as British General Secretary of the Worldwide Evangelization Crusade until 1965.

In an age of wizards and walled cities, Raffalon is a journeyman member of the ancient and honorable guild of Purloiners and Purveyors—in other words, a thief. His skills allow him to scale walls, tickle locks, defeat magical wards. He lifts treasures and trinkets, and spends the proceeds on ale and sausages in taverns where a wise thief sits with his back to the wall. But somehow things often go the way they shouldn’t, and then Raffalon has to rely upon his wits and a well-calibrated sense of daring.

By universal consensus, there’s only one exhibition worth seeing at this year’s Venice Biennale. Giuditta Cancellieri’s Il Timore di Dio, six paintings of something as yet undisclosed. Don’t bother buying tickets, though. A court order means no one’s getting in, not even the artist’s closest associates. The city’s been filling with felons. Most observers don’t think that’s an accident. At least one rumor suggests the paintings depict Italy’s most powerful gangsters, or its politicians, in compromising positions.

When vengeance calls, death is its shadow. Billy Robertson is out for revenge and the target in his sights is Dennis Marks. Holding the DCI responsible for the death of his younger brother, Jack, Robertson seizes on the opportunity given to him by Harold Shaw - another violent criminal falling foul of the skill of one of the Met's finest detectives - from the confines of his cell at HMP Wandsworth. After his run-in with the IPCC, Marks is plunged into a murder case involving the death of a teacher at Lainsford Grammar School in Edmonton.