Showing results by author "Lawrence Block" in All Categories

Lawrence Block, writing as John Warren Wells, introduces you to men and women who are trying every possible kind of sexual combination to make marriage work in bold new ways. Threesomes. Open adultery. Swapping. Group marriage. And a hundred variants of every possible sexual experiment within the marital relationship, surpassing the most erotic fiction.

Lawrence Block's talent for creating colorful characters, sophisticated dialog, and engaging atmosphere has earned him many awards: the title of Grand Master, three Edgar Awards, four Shamus Awards, and a Nero Wolfe Award. One of his most popular series follows the adventures of the suave bookseller and crook, Bernie Rhodenbarr. Bernie's sweetheart has dumped him. But although his heart is broken, he hasn't lost his love for fine books - or for an occasional discrete burglary.

Matthew Scudder investigates the brutal murder of a woman known as the “bag lady.” A seemingly homeless woman, she turns out to have distributed her substantial wealth in a complex will naming random strangers. Where did the money come from? Why was she living in such reduced circumstances? And why in the world did she choose these beneficiaries—the owner of a local newspaper stand, a neighbor she rarely spoke to, the detective himself—when her real friends and acquaintances got nothing at all? And how is all this linked to her murder?

This New York Times and USA TODAY bestseller, is a collaboration between twenty bestselling mystery novelists who have joined forces to create a spellbinding story of love, betrayal, and intrigue. “Readers can’t go wrong with this juicy thriller” raves Library Journal. Pericles “Perry”...

When a man called Bill spots a sign in a restaurant window, he grabs his carry-on and gets off his bus. Within an hour he's got himself a job as a short-order cook, and a start on a whole new life in Cross Creek, Montana. Things just fall into place. He applies for a library card, and the next thing you know he's having dinner with the librarian. One thing leads to another, and he can see a whole new life stretching out before him.

In A Woman Must Love, Barbara, a young widow, has vowed to be true to her husband’s memory (even though he’d wished otherwise). She’s courted, and she has a couple of adventures.

“She was just a little freshman / Victim of Admission’s whim / Then she met an upperclassman—we won’t name him— / And she had a child by him. / Now he’s off in New York City / Rescued by the co-op plan. / While she walks the streets of Yellow Springs, Ohio, / Looking for another man.” Ah, they don’t write ‘em like that anymore, and it’s not hard to see why. And the sad story recounted in the song is not entirely unlike that of Linda Shepard, titular (so to speak) heroine of Campus Tramp.

Matthew Scudder, a down-but-not-out-detective, is shocked by the apparent suicide of Paula, a waitress at Armstrong’s, one of Scudder’s hangouts. When Paula’s sister shows up and asks Matt to investigate what she believes to be a murder, Scudder agrees to take on the case. A number of clues don’t add up to suicide, and Scudder’s investigation leads him to the dark corners of Paula’s world.

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

For all those craving more adventures of their favorite bookseller-by-day and burglar-by-night, The Burglar in Short Order for the first time ever collects all of Bernie Rhodenbarr's short-form appearances in one complete volume. From the story in which a prototype of Bernie first appeared (“A Bad Night for Burglars”) to his appearances in Playboy and (maybe? It's kinda complicated) Cosmopolitan...from an essay discussing Bernie's misadventures in Hollywood to a piece commissioned by a European publisher for a tourist guide to New York....

And at one point we decided it might be fun to do a novel together. Not by thinking it out and talking through it and, you know, collaborating in a serious artistic manner. Our method was simpler. One of us would write a chapter, and then the other would write a chapter to come after it, and back and forth, like that, until we had a book. It worked, and by God it was fun. The first of our efforts was A Girl Called Honey, and it started when I wrote a chapter and sent it to Don. And so on, and we stopped when we had a book and sent it to Henry Morrison.

Since the 1970s, Lawrence Block has been writing award-winning novels and short fiction featuring Matthew Scudder. Now, with both himself and his detective half a century older, the author found himself charged with writing a book about his protagonist. And he decided he wasn’t the right person for the job.

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton. The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s.

Matt Scudder is finally leading a comfortable life. The crime rate's down and the stock market's up. Gentrification's prettying-up the old neighborhood. The New York streets don't look so mean anymore. Then all hell breaks loose.

Jeff Flanders has a perfectly good life. Until Candace Cain sashays into it, and turns it upside-down. Jeff’s got a good-looking wife; he loves her, and she loves him. He’s got a job, swinging a desk at a semi-shady finance company, signing off on usurious loans to losers; he doesn’t love it and it doesn’t love him, but it’s easy work and it pays the bills. Until a girl called Candy applies for a $1000 loan - with no job, no bank account, no security.

Best-selling author Lawrence Block transports you to New York City to walk the shadowy back streets with PI Matt Scudder, ex-cop and recovering alcoholic. In Everybody Dies, Matt is finally leading a comfortable, almost respectable life - until he helps an unlikely friend uncover a nameless enemy. The Big Apple seems to be mellowing now that the crime rate is down and gentrification is sweeping the old neighborhoods. But when a hoodlum buddy from the past asks Matt to investigate the murders of two employees, the spruced-up sidewalks seem as mean as ever. 

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.

Here's the book that started it all: A Girl Called Honey - and if listening to the saga of Honor Mercy Bane brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up So Willing and Sin Hellcat.

Matthew Scudder knows that justice is an elusive commodity in the big city, where a harmless man can be shot dead in a public place criminals fly free through holes in a tattered legal system. But now a vigilante is roaming among the millions, executing those he fees deserve to die. He calls himself "The Will of the People"—an ingenious serial killer who announces his specific murderous intentions to the media before carrying through on his threats.

In Thirty, the novel pretended to be a diary. That worked fine, and the resultant narrative proved at once challenging and effortless to sustain. I enjoyed writing it, Berkley enjoyed publishing it - and they wanted something else. What they got in Threesome was a novel pretending to be a novel. The premise, as you’ll see, is that the book has been written by its three main characters, Harry and Rhoda and Priss, in the form of a lightly fictionalized chronicle of their own life as a menage a trois.