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This collection, first published in 1914, contains 28 short pieces in prose and verse, which present themes frequently explored in Gibran's other works. These include love, death, creation myths and spiritual realization.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

This collection of 23 poems contains most of the verse for which Wildred Owen is known today. Few poets have captured more effectively the tragic dichotomy of war, where, for many, survival can be a fate worse than death. The opening poem "Strange Meeting" describes a posthumous encoaunter between a soldier and an enemy combatant who he has killed on the previous day. The penultimate poem, "Disabled", is the private lament of a crippled veteran as he helplessly surveys the daily lives of people unscarred by war.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

During his lifetime, Hopkins, who was ordained as a Jesuit priest, was best known as a scholar and a teacher of languages. In his youth, he composed poetry prolifically, but destroyed all his juvenile work in 1867. In 1874, he commenced writing poetry again, but little of his verse was published in his lifetime. His work was rescued from obscurity by his friend and supporter, Robert Bridges, who later became poet laureate.

Neither the date nor the authorship of the Dhammapada is known, but there is conclusive evidence that this monument of the Buddhist canon existed well before the Christian era. Many scholars agree in ascribing its utterances to Buddha himself, while others are of the opinion that it is a compilation made by Buddhist monks from various sources. This classic religious text focuses on practical morality, which, if practiced earnestly and diligently, will lead the practitioner to Nirvana, the state of unconditioned eternal bliss.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

This is the first of Tennyson's poems to be based on Sir Thomas Malory's Morte d'Arthur. The first draft was composed in 1834, and the finished work was published in Poems (1842). Later Tennyson incorporated the poem into the Idylls of the King (1870) under the title of "The Passing of Arthur". The narrative of this poem was drawn from the third, fourth, and fifth chapters of the 21st book of Thomas Malory's romance.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

This collection of verse was first published in 1920. It contains 12 poems published in an earlier collection, Prufrock and Other Observations, in 1917, together with 12 later poems, four of which are in French. Both collections were dedicated to Jean Verdenal (1889-1915).

Many of Gogol's stories feature ineffectual individuals who are overwhelmed by the caprices of fate. In Diary of a Madman, one of his most colorful tales, the narrator, a humble and obscure office worker, veers from mere eccentricity into full blown lunacy, and finds that the delusions fostered by madness are anything but comforting.

Pinocchio is by all odds the best puppet-story to be found anywhere, and we sigh in sympathy with the funny little chap's scrapes and punishments, or chuckle at his pranks, while we feel like exclaiming, "Why, how much Pinocchio must have been like me!" The author of this captivating tale, Signor Lorenzini, or "Collodi" as he liked to call himself after his native town in Italy, lived during the 19th century (1826-90) and devoted himself to writing and education, believing that one pleasing way to teach was through puppet-plays.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

Thomas Troward (1847 - 1916) was a divisional Judge in the British administration of India. In his later years, he developed a distinctive discipline of personal development which he called Mental Science. He had a particular reverence for Jesus. In the introduction, the author asserts that "we possess latent powers which a better knowledge of the truth regarding ourselves will enable us to develop, and that the purpose of the Bible is to lead us into this knowledge in a perfectly natural manner while guarding us against the dangers arising from misuse of it."

This brief and lively pamphlet on the history of the medieval church is a concise and entertaining introduction to an extremely complex subject. Covering the period between the seventh century and 1500, the author provides succinct summaries of major developments like the Crusades, the growth of scholastic and mystical theology, the removal of the Papacy to Avignon, and the great councils convened to resolve the papal schism.

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

This collection of meditations on spiritual development was published in 1920. In the words of the author: "You are your own forerunner, and the towers you have builded are but the foundation of your giant-self. And that self too shall be a foundation."

Troward delivered these lectures at the Doré Gallery, Bond Street, London, in 1909. They were published in book form in the same year. Troward's basic thesis is that while the laws of the universe can never be broken, they can be made to work under special conditions, which will produce unexpected and remarkable results. The achievement of these results require the activation of what Troward terms the "personal factor", that, namely, of an intelligence which sees beyond the present limited manifestation of the law and thus enables the exploration of its infinite possibilities.