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Peter Robinson is one of the crime world's finest stylists. Not Safe After Dark is a collection that will explore our hidden paranoia, challenge all that we take for granted, lure us to new, exotic places only for us to wish we could run back home, and keep us up all night just waiting for the...

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of Continental Europe and its male authors whose time has now come again.

Saadat Hasan Manto was born in 1912. As a playwright and author, he wrote in what was then British India until the 1947 partition placed him on the Pakistan side of the new border. He wrote mainly in Urdu and was a prolific short story writer. His writing attracted controversy, and he was arrested and charged with obscenity 6 times but was never convicted.

At the Vis Ta Vie inn, Reneé and Jean-Paul De La Rue face the daunting decision to close their beloved home for good. They’re not the only ones going through a season of change, though. Their guests include three couples in crisis: Hollywood celebs Leo and Penny are spending their silver anniversary together while on the cusp of divorce. Lucy, a practical-minded therapist, and Henry, an astronomer with his head in the stars, are struggling to find common ground.

Guy de Maupassant is justly revered as one of the strongest proponents of the short story. The miniature gems he created are woven from the many worlds and strata of society that surrounded him. From feuds and revenge to tales of avarice and friendship de Maupassant is the master of all and second to none.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

James Hain Friswell was born in 1825. He was an English essayist and novelist. He was a frequent contributor to many of the leading periodicals of the day. Whilst his essays and short stories were highly praised his novels and poetry were treated with disdain. He died at Bexley Heath, Kent in 1878, aged 52.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family. As a child he devoured the works of Poe and Stevenson in French and then again in English. His attachment to the bizarre and dark was already forming. Schwob was regarded as a symbolist writer and a ‘precursor of Surrealism’. He wrote over a hundred short stories, journalistic articles, essays, biographies, literary reviews and analysis, translations and plays.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of 1800 to 1849 and its male authors whose time has now come again.

A charming narrated story based on the "Winnie the Pooh" works by A.A. Milne and E.H. Shepard, with sound effects and music throughout. When the wind topples Eeyore's house of sticks, Pooh has an idea! Why not use the old sticks to play a game with everyone in the Hundred-Acre Wood? The friendly...

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 46. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family. As a child he devoured the works of Poe and Stevenson in French and then again in English. His attachment to the bizarre and dark was already forming. After completing a Bachelor of Arts in 1888 he became a professional journalist and worked for the Phare de la Loire, the Événement and L'Écho de Paris. The 1890’s marked his establishment as a brilliant writer with the publication of six short story collections.

Lucy Gertrude Moberly was born in 1861 at Winchester in Hampshire, England, one of eight children. Details of her life are scant, but it is known that she trained as a nurse before returning to the family home, a vicarage where her father worked, to begin a full-time career as a writer. During her lifetime she published as L G Moberly and was the author of over 60 novels, and many short stories which were published in the very popular periodicals of the day. Lucy Gertrude Moberly died on the 20th March 1931 at her home in London England.

The name H H Munro is obscured beneath the literary mantle of his nom de plume; Saki. A writer of his times, the stories perfectly portray society’s whims and tastes in a delicate yet at times, barbed humour. A divine wit who conjured words into quite extraordinary works. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

The email dropped into my mailbox about 9:30 on Tuesday night. I opened it, surprised to see that the email had been sent to a mailbox and email address I hadn’t used for ages.

What is creative genius, where does it come from, and how can we unleash it in ourselves? These are the questions explored in the ground-breaking new book, Higher Self Expression by Jeff Carreira. We all know that there are some people who demonstrate a capacity for extraordinary creative genius that sets them apart. They articulate things that have never been known before and become the transformative visionaries of history.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854, in Dublin, Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford. His only novel, ‘The Picture of Dorian Gray’, was published in 1890 and he then moved on to writing for the stage with ‘Salome’ in 1891. His society comedies were enormous hits and turned him into one of the most successful writers of late Victorian London. This collection of light-hearted and witty stories was written by Oscar Wilde in 1891.