Showing results by author "A.D. Lawrence" in All Categories

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

Just as the lovely Alvina Houghton comes of age, her widowed father’s business starts to dry up. In a drastic effort to regain his fortune and secure his daughter’s standing in society, James Houghton buys, of all things, a theater. Her father’s plans and dreams go misunderstood in the town, but the theater itself does quite well...for a time. One of the traveling players employed at the theater, a sensual Italian man named Ciccio, catches Alvina’s eye, and she finds herself intensely attracted to him.

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.

"Things" takes a cutting look at two "idealistic" young Americans who travel around Europe in an attempt to give their spoiled lives some meaning, and in the end settle for suburban America, surrounded by their possessions, their "things".

"Smile" is one of Lawrence's shorter pieces, a thumbnail sketch of an idea. A man is relieved that his wife is dead and struggles to hide his relief when confronted with his wife's body. The relief breaks out into a smile, which he struggles to excuse. How much better it would have been, Lawrence seems to be saying, if he had just laughed out loud!

"Jimmy and the Desperate Woman" tells the improbable story of an intellectual editor persuading a working woman to live with him. We would say now "on the rebound" from a failed marriage, but Lawrence crosses the class divide and poses questions about what makes us attracted to other people. The intellectual twists and turns of the magazine editor contrast nicely with the stark honesty of the spurned miner husband.

"The Flying Fish" is unfinished, but tells the story of an Englishman, Gethin Day, returning home after years in South America. There is a hint of the homesickness Lawrence may have felt during his long exile. The bulk of the story is the time spent on the ship which is taking Day back to England. It is a ship of fools, a "plague ship", and the only positive note is the joy Day sees in the play of the flying fish and porpoises around the ship. It is tantalizing to speculate how Day would have adapted to English life again, confined to an old house in an old country.

"The Border Line" is unusual in that Lawrence dabbles in the supernatural (as he was to do again in "The Rocking-Horse Winner" two years later) and that this is less a story in the traditional sense and more an exploration of the mind of a particular woman, based on his own wife, Frieda. Katherine, in the story, realizes that her real love was her first husband, whom she should, according to Lawrence, have submitted to to gain real happiness. As Lawrence says in the story, thinking of his German wife, perhaps, "Beyond all race is the problem of man and woman."

"Sun" is a sensual story of a woman rediscovering her sexuality through the power of the sun. But for the unexpected arrival of her businessman husband, she was ready to give herself to a local peasant, but is finally pulled back to respectability by her husband. But she is free to remain apart from him in the sun.

"The Last Laugh" is another of Lawrence's supernatural stories, set in a dreamlike snowy London. The question left open is who the three people in the story saw on the snowy evening. Perhaps Pan, returned to destroy the Christian God, as the church is destroyed in the story, and to bring love to the frigid young woman in the form of a policeman who is prevented from leaving the house. But why the other quite harmless, and Platonic lover, had to die is a mystery. Perhaps because he had made love to a Jewess?

"You Touched Me" is a comic/tragic story of a forced marriage brought about by an accidental touch in the night, but the depth of the writing leaves the listener unsure if the couple are marrying for money or to release the passions realized by the touch.

"Tickets Please" returns Lawrence to his native Nottingham during the First World War. The social revolution of women doing jobs previously done by men also begins to change the relationship between the sexes, and the women in the story are aggressive and wanting their rights. But are they happier for conquering the flighty male in the story, or is the domination of man by woman one step too far, only generating hate and unhappiness?

"The Overtone" looks at a sterile marriage with no children and no spontaneous sexual feeling between the couple. Lawrence seems to lose interest in the story, although he introduces a younger woman who walks away baffled at the end. His purpose seems to be to analyze the relationship between men and women in religious terms - Christianity for the women and the old Pan religion for the men. Lawrence produces some fine writing, but the argument at the end of the story seems contrived.

"Wintry Peacock" is, on the surface, a tale of misdirected love or even irresponsible love, the relationship between the wife and the peacock being the most strange, but it is the conspiracy of the two men in the story to prevent the truth coming out about the husband's love child that is most disturbing. The innocent are punished and the guilty get away with their sins, and the author goes laughing down the hill at the end of the story.