Biblical Genres

How a better understanding of genre leads to a better understanding of the biblical text. The Bible, with its gloriously rich diversity of ancient genres, demands a flexible and historically aware approach to genre. Different conceptions of narrative, poetry, gospel, epistle, wisdom, and...

It's the year 641 since the beginning of everything, and when Eve passes away, she leaves Adam, the only man on earth who remembers everything since they walked in Eden. When Enoch, God's newly appointed prophet, decides to collect the stories of the faithful from previous generations, he finds Adam in desperate need to confess the dark secrets he's held onto for too long.

Based on the book of Acts this is the story of the Apostle Paul's third journey. Told through the eyes of Paul's companion Timothy this is the tale of the journey to Ephesus and Paul's time in the city. Unlike his earlier journeys the third journey is spent mostly in one city where Paul not only raises up a church but trains young men to take on the mission of raising up the next generation of churches after his death. This is also the story of the church in Corinth and Paul's letters to that riotous, chaotic gathering.

A man of numbers. A King beyond measure. A legacy written in blood and light. For years, Levi ben Alpheus sat in a sun-drenched tax booth in Capernaum, calculating the price of salt, silk, and human dignity. To Rome, he was a useful tool; to his fellow Jews, he was a traitor beyond redemption. But when a wandering Rabbi uttered two words—Follow me—the world’s most meticulous record-keeper abandoned his ledgers for a journey that would span continents and centuries.

When the God of Living Water calls, will Suái be willing to risk her life and the lives of everyone she loves to answer? Deep in the jungle of Paraguay, Suái’s tribe worships indifferent gods who withhold the life-giving rain unless their worshippers make costly sacrifices. However, when a missionary arrives speaking of the loving God of Living Water, Suái’s curiosity leads her down a dangerous path. Thrust into a new life with people who should consider her an enemy, Suái discovers the love and redemption of Jesus.

Great Possessions is a haunting work of biblical historical fiction told in the voice of the man history remembers only as the one who went away sorrowful. He was not born to ease. He built his life by discipline, restraint, and hard-won wisdom, turning a vulnerable household into one of standing, order, and wealth. He kept the law. He gave alms. He earned the respect of elders, servants, and neighbors alike. By every visible measure, he was a righteous man. But beneath the ordered rooms, sealed storehouses, and carefully guarded honor, another master had long been at work: fear.

To most, the term “Christian horror” probably seems like an oxymoron. Nevertheless, there are very good arguments to be made that “horror” is an eminently biblical genre and that Christian artists should be at the forefront of reclaiming it. In this work, novelist and freelance writer Mike Duran explores the Judeo-Christian roots of contemporary horror, the religious themes that frame much of the horror art, and how evangelical culture has come to distance itself from such a potentially rich and powerful medium.