Drama Theatre

How has the work and legacy of Augusto Boal's Theatre of the Oppressed been interpreted and practised around the world? What does it look like in different working contexts? The second edition of this book provides an accessible introduction to the political and artistic principles Boal's...

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?

A selection of Euripides’ renowned Greek tragedies, adapted for BBC Radio Acclaimed by Aristotle as ‘the most tragic of the poets’, Euripides was one of the pre-eminent playwrights of 5th century Athens. Included here are seven of his masterpieces: powerful, shocking tales of passion...

Bloomsbury presents Theatre and Tourism by Margaret Werry, read by Laurence Bouvard. How does tourism impact theatre? How do theatrical ways of seeing, knowing, and acting shape tourism? How do economic and political processes like colonization or neoliberalization influence them both? And what...

How is the individual and the ‘nation’ constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the ‘people’ in ‘We the People’? This brief study examines the intersection of the USA’s sense of self with its theatre...

Winner of the 2021 Music & Drama Education Award for Outstanding Drama Education Resource Much of the theatre we make starts with a script and a story given to us by someone else. But what happens when we're required to start from scratch? How do we begin to make theatre using our own ideas, our...

What is a dramaturg? What is dramaturgy? What are the political implications for the way that plays produce meaning in performance? Over the last decade, the role of the dramaturg has become more common in the theatrical process, but it is still a new term for many theatre-goers. Theatre &...

Theatre and Race centers on the interrelationship of the words on either side of the ampersand. It offers an accessible overview of how race is performed and how western theatrical practice has wrestled with the topic, question, and “problem” of racial difference over centuries. This study...

Six classic farces from the renowned comedy writer, with casts including Judi Dench, Michael Williams, Joan Hickson, Alex Jennings and Penelope Wilton In the 1920s and ’30s, Ben Travers proved himself a master of comic confusion with his hugely successful Aldwych farces. Featuring battle-axe...

Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and...

Bloomsbury presents Acting, written and read by Lucian Msamati. From one of the most celebrated actors of the stage and screen comes this book on the craft of acting. Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including...

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

The extraordinary true story of Abe, a man the playwright met at his synagogue. Abe was a fellow of great humor and heart who not only survived three years at Auschwitz - certainly the worst place on earth - but fell in love there. Abe’s life speaks to the resilience of the human spirit, renewal, and hope, even when there seems to be none.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

This program is read by the author. Heartstopper meets Derry Girls in this wonderfully hilarious rom-com about finding your first love when your personality might be too big for the world around you. Patch Simmons has decided that this is the year he will get a boyfriend, so it's goodbye to his...

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Joanne Taylor - former TV Diva - is on the verge of her 50-something birthday, seriously single, 'hot-flushing' and about to make some drastic changes in her life. Pulling Faces is an acerbic, topical comedy about society’s obsession with youth, beauty and transformation.

In London England, an exact replica of the 17th century William Shakespeare’s Globe Theatre opened in 1995. Audio journalist, Lee Daley is exploring the Globe Theatre with actress and docent, Kitty Grimes. Ms Grimes tells us how the new Globe Theatre began while we walk through the scrim and into a Shakespeare past.