Showing results by narrator "Matt Shaw" in All Categories

On the outskirts of a sleepy town stands Raven’s Hollow, an abandoned amusement park long shuttered, long whispered about, and long avoided. What began as local legend has become something far darker. Those who dare to cross its rusted gates never return, and with each passing season, the park’s atmosphere seems to grow heavier and its shadows become darker. Beneath its broken rides and collapsing funhouse lies a growing graveyard of trespassers and, more chillingly, the missing children the town has been quietly mourning. And, watching over it all, one man...

Life, Death, and the In-between: A heartbreaking supernatural horror dealing with themes of suicide, grief and the after-life. I guess I wanted to write this given my own personal struggles with thoughts of suicide. Every day I deal with some degree of pain where some days are better than others. When the pain is at its worst, my thoughts often drift to ending my own life.

Martin and Sonia's child, Stevie, needs a liver transplant. But in this cruel world, unless you're rich enough to go private, the only way they're going to get one is if Stevie enters The Arena with other sickly children and steps out victorious.

Visible Gods is an imaginary dialogue between Socrates and four fictitious modern-day characters. Socrates' worldview is of a living cosmos with man only half-way up the hierarchy of all beings; above him reign suprahuman beings of great majesty and power - the visible gods. The moderns with whom Socrates converses disdain his ancient Greek cosmos as primitive and false.

The Holy Bible, according to Matt Shaw. Taking the popular stories from the Bible and giving them a horror twist, this book is not intended to be used as a way of preaching your beliefs. God would probably frown down upon such usage, but if you wanted to put your feet up and chuckle along with some dark humor, then God would surely approve. For fans of the original book, this isn't for you. You won't like this. Don't listen to it. Don't be mad at me for writing it, though because, if you think about it, I am still getting the important stories out there. Kind of.

Jeremy Jumper isn’t like normal people. Jeremy has a medical condition which causes a large mass to grow on the end of his nose. It starts as a red mark and, over the following days, balloons to ridiculous size. Strangers stop and stare while others dive for cover, worried it’s about to explode.

The year is 2032, and five-year-old Jacob is opening the biggest gift, beneath the Christmas tree, which is labeled for him: his very first semi-automatic rifle—and he couldn't be prouder. He smiles to his parents who sit close by. They don't smile back. Their minds are stuck on earlier events of what should have been a magical day: the moment they found out Jacob was set to be a brother.

If I am to be damned with slim chance to yet redeem myself than for why spend the rest of my waking days in trying to make amends when I can but face my demons early and enjoy the warmth offered from the free flames of Hell? You say that this is the fate that awaits unless I change my ways and wants and yet the man you’ve shown is the one whom I am and am proud to be. The what-if is all but weak, the kind of man seen staggering down a street with not a penny in his pocket and yet still taken for a fool by those passing by.

February 14th and my wife is looking at me with hope in her eyes. She has just given me a card and a bottle of my favourite drink so I presume she is hoping for something similar in return. I have nothing but the shovel I'm hiding behind my back. Valentine's Day is a joke. A day made up, no doubt, by people who sell cards and flowers. A way of conning us out of our money as we feel duty bound to "prove our love" for one another. Well this collection is not about proving love. This collection of stories is all about sour, bloody violent love. They say love hurts. They're not wrong.

Mark and Helen's relationship is in a rut. They don't really sleep with one another anymore unless Mark instigates it, and even then, Helen's heart isn't really in it. She just goes through the motions to keep him "happy". Mark doesn't understand why but, being a typical man, he doesn't really ask the important questions, either. He just hopes that, one day, things will improve by themselves. And luckily for Mark, that's exactly what happens. After a trip to the dentist to have a tooth extracted, Mark inadvertently stumbles into Helen's hidden fetish.

The women wake to find themselves locked in a small basement. There are no windows and only one—locked—door. Just when they start to think they have been left to rot in there, the lock clicks and the door opens to reveal him standing there. Simon. Simon doesn’t know his victims. To him they aren’t real people but, rather, play-things instead; snatched from their lives so as to play a simple game of “Simon Says” with him.